We are proud to announce that Vision Forum member Marcus Pettersson has won the poster competition for the Flimmer Film Festival. More info here.
Friday, September 2, 2011
Marcus Petterson wins poster competition
We are proud to announce that Vision Forum member Marcus Pettersson has won the poster competition for the Flimmer Film Festival. More info here.
Monday, August 8, 2011
OPEN CALL FOR APPLICATIONS ////// PLATFORM RESIDENCY 2012
Platform announces an open call for an artist residency in Vaasa, Finland. 2-3 international and 2-3 Baltic or Nordic artists will be accepted for the period starting February 2012 till the end of February 2013.
RESPONSE – RESPONSIBILITY
The root of the word responsibility is response, the first known use of the word meant ‘answerable’ to another for something. The word is a social one, based on a question or call. If we are not in dialogue, if there is no discussion or dialogue between us, if we are not demanding and demanded of, the concept of responsibility falls away.
We are in a time of increasing instability -- social, political, economic, environmental -- these instabilities do not stop neatly at the boundaries between individuals, families, cities or countries. They point to our interconnectedness, our interdependence. In the face of these instabilities, some of which may bring catastrophic changes, what, if anything, is being asked of us; what are we asking of others? Can we ask/demand something of others we wouldn’t be prepared to ask of ourselves? What are the ramifications of doing this?
The word responsibility often carries the implication of guilt, culpability or an onerous chore one would like to avoid. Can we recast this word, that links us to each other, in a more positive, social, desiring and pleasurable way?
Artists typically place themselves in the position of outsider, commentator or instigator. Can artists enter into this dialogue at the same level as others, as opposed to the safer/more strategic positions of outsider, commentator or educator?
The above questions, calling for a response, are linguistically driven, the projects need not be. This open call can be seen as an invitation, a possibility or a challenge.
DEADLINE FOR SUBMISSIONS 31st AUGUST 2011
THE PROGRAM
Annually 5-6 artists are invited, normally about 2 months, to realize a project. The residency offers accommodation, a studio, covered travel expenses, a monthly grant as well as a production budget.
APPLICATION PROCEDURE
An application consisting of a motivation letter/project proposal, documentation of 5 projects and a cv, all included in one document, to be sent electronically to info@platform.fi during the month of August, but no later than 31.8.2011.
For closer details on the application procedure and the program, please consult our web-page:
http://www.platform.fi/residency
RESPONSE – RESPONSIBILITY
The root of the word responsibility is response, the first known use of the word meant ‘answerable’ to another for something. The word is a social one, based on a question or call. If we are not in dialogue, if there is no discussion or dialogue between us, if we are not demanding and demanded of, the concept of responsibility falls away.
We are in a time of increasing instability -- social, political, economic, environmental -- these instabilities do not stop neatly at the boundaries between individuals, families, cities or countries. They point to our interconnectedness, our interdependence. In the face of these instabilities, some of which may bring catastrophic changes, what, if anything, is being asked of us; what are we asking of others? Can we ask/demand something of others we wouldn’t be prepared to ask of ourselves? What are the ramifications of doing this?
The word responsibility often carries the implication of guilt, culpability or an onerous chore one would like to avoid. Can we recast this word, that links us to each other, in a more positive, social, desiring and pleasurable way?
Artists typically place themselves in the position of outsider, commentator or instigator. Can artists enter into this dialogue at the same level as others, as opposed to the safer/more strategic positions of outsider, commentator or educator?
The above questions, calling for a response, are linguistically driven, the projects need not be. This open call can be seen as an invitation, a possibility or a challenge.
DEADLINE FOR SUBMISSIONS 31st AUGUST 2011
THE PROGRAM
Annually 5-6 artists are invited, normally about 2 months, to realize a project. The residency offers accommodation, a studio, covered travel expenses, a monthly grant as well as a production budget.
APPLICATION PROCEDURE
An application consisting of a motivation letter/project proposal, documentation of 5 projects and a cv, all included in one document, to be sent electronically to info@platform.fi during the month of August, but no later than 31.8.2011.
For closer details on the application procedure and the program, please consult our web-page:
http://www.platform.fi/residency
Thursday, August 4, 2011
ATTEMPTS TO GET INSIDE THE WORLD - Natasha Rosling in London
26th AUGUST – 11th SEPTEMBER 2011 AT LEWISHAM ARTHOUSE
ZOE ANSPACH, SOL ARCHER, ANTOINE BERTIN, JACOB BLANDY, CHRISTOPH BOTH-ASMUS, SARAH BOWDEN, ANNA BUNTING-BRANCH, CELINE CONDORELLI, PAULINE CURNIER-JARDIN, ISOBEL DUNHILL, MAGDA FABIANCZYK, CORINNE FELGATE, AMANDA FRANCIS, LINDA FRANKE, LUDOVICA GIOSCIA, JAMIE GEORGE, PER HUTTNER, MICHAEL LEE, ROBERT LISNEY, JOANNE MASDING, SACHI MIYACHI, NATASHA ROSLING, KRISTIN SHERMAN, CHOOC LY TAN, FATOS USTEK, WOUTER VENEMA, JOHN WALTER, VICTORIA WATSON, MICHAEL WHITBY, RICHARD WHITBY, LAURA WHITE, ELEANOR WRIGHT
To round up the summer and start the new season Lewisham Arthouse presents, Attempts to Get Inside the World, an exciting series of events initiated with the support of Vision Forum and the Arthouse’s Graduate scheme. Over the course of these two weeks a range of talks, screenings and performances will take place set within a laboratory-style exhibition. The intention is to reveal the raw edges to many of the processes that feed an art practice, shifting eyes away from the product and into the thick the background. Particular attention will be given to research transgressing the boundaries of the studio – either through grappling with unknown subjects and disciplines, or through direct attempts to thrust oneself into the midst of an often extreme set of physical and psychological circumstances.
The exhibition space will house two main conference events, Retreat: in the City – 27th and 28th August, organised by Michael Whitby, and Navigating Extremes - 3rd and 4th September by Natasha Rosling. Artists, curators, architects, choreographers, and theatre practitioners from across Europe and London will come together to present talks, set-up discussions, screenings and performances under the umbrella of Attempts to Get Inside the World. A series of furnitures and rolling projections will occupy the gallery space - displaying works, artefacts, test pieces, experiments and research material selected by each participant in reference to the practices discussed.
PLEASE CLICK HERE FOR MORE INFORMATION AND PROGRAMME
Lewisham Arthouse, 140 Lewisham Way, London SE14 6PD
Preview: South London Art Map Last Fridays 26th August 6-9pm
Exhibition Open: Wednesday to Sunday, 12-6pm 27th August – 11th September.
Transport: Rail/Underground - New Cross/New Cross Gate; Buses - 21, 36, 136, 321
Thursday, July 28, 2011
Thursday, July 21, 2011
CINEMIXA IN JAPAN
SILENT FRENCH BLACK AND WHITE AND HAND COLOURED FILMS, MADE IN THE EARLIEST DAYS OF FILM MAKING BY VISIONARY FILM MAKERS, ARE THEN SCREENED AND ACCOMPANIED BY LIVE IMPROVISED ELECTRONIC AND NOISE AND WIND AND KEYBOARD SYNTHESIZER PERFORMED MUSIC. THIS IS A CREATIVE VISION AND SOUND CROSSOVER EXPERIENCE THAT OFFERS AN EXPERIMENTAL APPROACH AND INTERPRETATION TO VISION AND SOUND.
CINEMIXA™ is a trio from France that features guest musicians when "sound tracking" abroad. This time, special guest is MORGAN FISHER.
CINEMIXA™ are in demand all over the world for their creative, cultural and entertaining performance. Recent shows have been Algeria, Jordan, Russia, Ethiopia, Ghana, South America and many more.
They have "sound tracked" numerous features and short films such as the expressionist "He, who get slapped" [Victor Sjostrom, 1924], the sci-fi visionaire "Paris sleeping" [René Clair, 1923] or the surrealist tale "Balançoire“ [Noël Renard, 1928]. NAME: CINEMIXA at L’Institut Franco-Japonais de Tokyo (with special guest Morgan Fisher)
NOTE: This is a small premium film venue with excellent sound and vision. There are only 108 seats.
WHERE: L’Institut Franco-Japonais de Tokyo, Iidabashi, Tokyo
WHEN: July 28th 2011 (Thursday) Doors Open19:00
START: Show Start 19:30 ~ 21:00
COST: L’Institut Members:1500 YEN
Non Members: 2000 YEN
Tickets On Sale NOW!!!
You must reserve ticket! Ticket Reservations: L’Institut Franco-Japonais de Tokyo: 03-5206-2500
More info here
CINEMIXA™ is a trio from France that features guest musicians when "sound tracking" abroad. This time, special guest is MORGAN FISHER.
CINEMIXA™ are in demand all over the world for their creative, cultural and entertaining performance. Recent shows have been Algeria, Jordan, Russia, Ethiopia, Ghana, South America and many more.
They have "sound tracked" numerous features and short films such as the expressionist "He, who get slapped" [Victor Sjostrom, 1924], the sci-fi visionaire "Paris sleeping" [René Clair, 1923] or the surrealist tale "Balançoire“ [Noël Renard, 1928]. NAME: CINEMIXA at L’Institut Franco-Japonais de Tokyo (with special guest Morgan Fisher)
NOTE: This is a small premium film venue with excellent sound and vision. There are only 108 seats.
WHERE: L’Institut Franco-Japonais de Tokyo, Iidabashi, Tokyo
WHEN: July 28th 2011 (Thursday) Doors Open19:00
START: Show Start 19:30 ~ 21:00
COST: L’Institut Members:1500 YEN
Non Members: 2000 YEN
Tickets On Sale NOW!!!
You must reserve ticket! Ticket Reservations: L’Institut Franco-Japonais de Tokyo: 03-5206-2500
More info here
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